Thematically, it is a very interesting conflict: a gangster villain who works in a scrupulously ethical manner, contrasted opposite a staunchly idealistic cop who just happens to be a womaniser with a failed-marriage behind him.
Rambo is invincible, sure. The film, however, is not.
Overall Black & White works forgettably, like the just-mentioned Jagjit Singh song: it makes you seek succour in Karz or Taal.
Heath Ledger died like his rock idols, but he was just getting started.
This musical traipses through the Beatles songbook and finds blissful innocence.
The Hollywood Foreign Press Association has come up with a relatively cowardly list, a list that -- in a year brimming to the top with violent masterpieces -- is too scared to pick up the gun.
Raj Kumar Santoshi is back in hard-hitting form with his latest film.
Eastern Promises, David Cronenberg's latest film, depending on which way you look at it, is either a horrifyingly cool exposition of the uncaring value system in a modern day mafia family or a devastating thriller with internalised ramifications for all us 'ordinary' people.
A look at what the Ritchies got up to during their Udaipur trip.
Taare Zameen Par is an impressive debut indeed for filmmaker Aamir Khan, and showcases a brilliant performance by the young Darsheel Safary.
Finally, a solid horror film from the US. John Cusack is in very taut form, playing the role in just the right key, and he makes the film work.
The FIA has announced a ten-year freeze on engine development, from 2008-2017.
Khoya Khoya Chand does its best to transport you to the golden era of Bollywood, among archaic lights, melodramatic sets, divas and classic automobiles.
Aaja Nachle is a warm, well-intentioned and competently acted happy extravaganza - except, it fails to engage.
In conversation with Anil Mehta, the cinematographer turn director.
John Abraham's football film is a tremendous disappointment. Goal is a complete drag, and a case in point against thoughtless derivative sports films.
Experimental cinema lives and breathes in India, thanks to No Smoking and Saawariya.
Sanjay Leela Bhansali's Saawariya is a wasted over-the-top effort.
Farah Khan's latest film is heavily flawed but still fun.
Sudhir Mishra's Khoya Khoya Chand soundtrack evokes warm feelings of nostalgia.
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